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生态批评长期以来偏好以环境为主题和内容的现实主义文本,当遇到未明确主题化环境的叙事文本,则显得捉襟见肘。有鉴于此,伊琳·詹姆斯提出生态叙事学的阅读模式,从内容和主题转向形式和策略,从而为所有的叙事打开了生态话语之门。故事世界的生态叙事学阅读,即通过对那些帮助读者沉浸于主观空间、时间和体验中的文本线索的分析,为读者提供对全球环境的文化多样性理解和体验,培养读者的环境洞察力和对差异的敏感性,重塑读者的环境想象,从而实现文学在保护地球方面发挥的不可或缺的作用。生态叙事学不仅拓宽和推动了生态批评的发展,而且丰富了叙事学研究的政治和环境维度,同时也是发展跨文化议程的一种有效方法。
Abstract：①②Erin James,The Storyworld Accord:Econarratology and Postcolonial Narratives,Lincoln:University of Nebraska Press,2015,p.xv,p.4.
③Cheryll Glotfelty and Harold Fromm (eds.),The Ecocriticism Reader:Landmarks in Literary Ecology,Athens and London:University of Georgia,1996,p.xviii.
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(2)③④⑤Erin James,The Storyworld Accord:Econarratology and Postcolonial Narratives,Lincoln:University of Nebraska Press,2015,p.11,p.12,p.12,p.13.
(3)Ursula K.Heise,“Afterword:Postcolonial Ecocriticism and the Question of Literature”,in Postcolonial Green:Environmental Politics and World Narratives,Bonnie Roos and Alex Hunt (eds.),Charlottesville:University of Virginia Press,2010,p.258.
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(5)②③④Erin James,The Storyworld Accord:Econarratology and Postcolonial Narratives,Lincoln:University of Nebraska Press,2015,p.15,p.16,p.16,p.16.
(6)Blakey Vermeule,Why Do We Care About Literary Characters?Baltimore:Johns Hopkins University Press,2010,pp.39-40.
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(16)④⑤⑥⑦Erin James,The Storyworld Accord:Econarratology and Postcolonial Narratives,Lincoln:University of Nebraska Press,2015,p.21,p.22,pp.38-39,p.39,p.xi.
(17)Marie-Laure Ryan,Possible Worlds,Artificial Intelligence,and Narrative Theory.Bloomington:Indiana University Press,1991,p.51.
(18)⑦⑧⑨Erin James,The Storyworld Accord:Econarratology and Postcolonial Narratives,Lincoln:University of Nebraska Press,2015,p.xii,p.24,p.23,p.24.
(19)③Cheryll Glotfelty and Harold Fromm (eds.),The Ecocriticism Reader:Landmarks in Literary Ecology,Athens and London:University of Georgia,1996,p.xxiii,pp.xviii-xix.
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(23)②③④⑤⑥⑦⑨Erin James,The Storyworld Accord:Econarratology and Postcolonial Narratives,Lincoln:University of Nebraska Press,2015,pp.24-25,p.26-27,p.27,p.27,p.27,p.34,p.27,p.28.
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(27)④⑤⑥⑦⑨Erin James,The Storyworld Accord:Econarratology and Postcolonial Narratives,Lincoln:University of Nebraska Press,2015,p.29,p.30,p.30,p.31,p.30,pp.31-32.
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(30)⑥Erin James,The Storyworld Accord:Econarratology and Postcolonial Narratives,Lincoln:University of Nebraska Press,2015,p.32,p.29.
(31)③Serenella Iovino and Serpil Oppermann,“Material Ecocriticism:Material,Agency,and Models of Narrativity”,Ecozon@,Vol.3,No.1 (2012).
(32)[美]劳伦斯·布伊尔:《生态批评:晚近趋势面面观》,孙绍谊译,《电影艺术》,2013年第1期。
(33)Marco Caracciolo,“The Reader’s Virtual Body:Narrative Space and Its Reconstruction”,Storyworlds:A Journal of Narrative Studies,Vol.3 (2011).
(34)苗福光:《后殖民生态批评:后殖民研究的绿色》,《文艺理论研究》,2015年第2期。
(35)Kamau Brathwaite,History of the Voice:The Development of Nation Language in Anglophone Caribbean Poetry,New Beacon Books,1984,p.10.
(36)édouard Glissant,Caribbean Discourse:Selected Essays,University Press of Virginia,1989,p.105.
(37)⑤⑦⑧Erin James,The Storyworld Accord:Econarratology and Postcolonial Narratives,Lincoln:University of Nebraska Press,2015,p.xiv,p.30,p.38,p.24.
(38)[美]劳伦斯·布伊尔:《生态批评:晚近趋势面面观》,孙绍谊译,《电影艺术》,2013年第1期。
基本信息:
DOI：10.15981/j.cnki.dongyueluncong.2021.10.009
中图分类号:I06
引用信息:
[1]唐晓云.生态叙事学及其对于文学研究的推进[J].东岳论丛,2021,42(10):85-94.DOI:10.15981/j.cnki.dongyueluncong.2021.10.009.
基金信息:
教育部人文社会科学重大项目“生态批评的理论问题及其中国化研究”(项目编号：19JJD750005)