东岳论丛

从具体文本内容及其在百年中国新文艺发展历程中的接受状况来看，把以《在延安文艺座谈会上的讲话》为代表的毛泽东文艺美学思想概括称为人民美学论，是有文本根据和历史根据的。《讲话》的理论价值和意义首先表现于它在中国现代文艺和美学史上实现了由人的文学、人的美学向人民文艺、人民美学的历史转型，其次则在于它为中国马克思主义人民美学进行了理论奠基，开辟了文艺为人民大众服务的发展新方向。从世界马克思主义美学发展的角度来看，《讲话》的人民美学不仅在对人民群众审美主体性的建构中实现了对马克思恩格斯的认识美学与列宁的反映论文艺思想特别是其政治美学的理论综合，而且还包蕴着丰富的文化美学思想，存在着一个特别值得重视的文化美学向度，从而使之在世界马克思主义文艺美学不同理论范式中彰显出自己具有包容性的综合理论特质和全新思想面目。

In terms of its specific textual contents and reception during the centennial development of China's new literature and art,to generalize Mao Zedong's literary and artistic aesthetics represented by the Speech as people's aesthetics has textual and historical basis.The theoretical value and significance of the Speech,firstly,lies in its historical transformation from human literature and human aesthetics to people's literature and people's aesthetics in the history of modern Chinese literature,art and aesthetics,secondly,lies in its laying a theoretical foundation for Chinese Marxist people's aesthetics and opens a new direction for the development of literature and art serving the people.In terms of aesthetic development of global Marxism,the people's aesthetics of the Speech,in constructing the common people as aesthetic subject,not only synthesizes Marx and Engels' epistemological aesthetics and Lenin's literary and art theory of reflection in general and political aesthetic in particular,but also embodies rich cultural aesthetics which is worthy of special attention.These make the people's aesthetic display its inclusive comprehensive theoretical characteristics and new ideological features among various theoretical paradigms of Marxist aesthetics of literature and art in the world.